I adore the conspiratorial whisper Ottesen adopts for the verses of this one, and it's certainly grand to hear him shift to the swift revelry of the chorus with a dramatic flair rarely seen. A touch longer than I'd have it, ideally.
![kaizers orchestra dekk bord kaizers orchestra dekk bord](https://i.ytimg.com/vi/nnPnqWkmdvY/0.jpg)
#KAIZERS ORCHESTRA DEKK BORD DRIVER#
" Fra sjåfør til passasjer" (From Driver to Passenger)īeautiful melody. I would marry this song.Ī bit on the short side, and the vocals are a bit rough-around-the-edges. I can't find a single second of this song that I am not fully, literally in love with. The vocals are simply perfect, being half-sung, half-cried out in pure military fashion, suiting the "War is Hell" vibe of the song. The instrumentals are deliciously intricate, and definitely some of the best Kaizers have ever put out. "170" is easily my personal favorite off the album. The end result is eclectic, but worth every second. The vocals carry "Bøn" through myriad metric and stylistic changes, none of which fail to entertain. Probably a minute longer than it needs to be. Starting with a screechy little riff, "Ompa" morphs rather quickly into a jazzy little orgasm, culminating in a chorus that can't quite compete and a second verse that's so starkly minimalist that it feels out of place. My one complaint lies in Ottesen's nigh-shouted vocals.Ģ. "Kontroll" starts off a bit rough, but one could argue that the song's charm lies in hearing it coalesce. Kaizers' debut album begins with a driving, forceful number. " Kontroll på kontinentet" (Control over the Continent)